Saturday, 28 August 2021

Ricardo van Eyk / Michel Majerus

 


Michel Majerus (1967 -2002)

Einschiffung

1996

acrylic on canvas

480 x 700 cm, 15 parts, each 160 x 140 cm




Michel Majerus

Aquarell

1996

acrylic on canvas

980 x 960 cm, 42 parts, each 140 x 160 cm

 

 

 

What is striking about these installations at first sight [...] is the fact that the artist accepts the room as more than just a necessary evil. Instead he underscores or even creates its different qualities [...]. Above all, the installations mostly emphasize the temporal, more or less dynamic moment of their perception. 

 

Raimar Stange 





Ricardo van Eyk (NL)

Installation view NIHIL

2020

www.ricardovaneyk.nl

rk



Friday, 13 August 2021

Wim Claessen / Léon Spilliaert



Léon Spilliaert

Strand gezien vanuit Bredene 

1908

washed East Indian ink on paper

73,8 x 48 cm

 

 

 

I got to now the work of León Spilliaert (1881–1946 ) during a visit to Ostend (B) in 1996 where in the museum of fine arts an exhibition of his work took place. 

His seascapes in particular made a big impression on me, I came across the work several times in the following years and every time there was that enormous appreciation for the austere great strength of the work. 

At the beginning of 2005 my work developed in a direction in which the simplicity, the sobriety of the image and my use of color became characteristic of my work.

Again I run into Spilliaert and without copying him, his work influenced my way of working.

 

Wim Claessen, 2021






Wim Claessen (NL)

Beach

2018

acrylic on canvas

120 x 170 cm

http://wimclaessen.com

rk






Saturday, 31 July 2021

Rob Bouwman / Pieter Bruegel de Oude



Pieter Bruegel de Oude

The Tower of Babel

ca. 1563

oil on panel

59,9 x 74,6 cm

 


 

During my art school days, when visiting Museum Boijmans van Beuningen, I was fascinated by the work of Pieter Bruegel de Oude. One of the most famous works from the Museum, 'The Tower of Babel', which was made around 1560. The versatility in the transparent hues and the eye for detail has 
stayed with me ever since. A fabulous work with infinite depth in the glazed oil layers.

 

Rob Bouwman, 2021



Rob Bouwman
Studio view - Untitled (p0102021) 
2021
oil/alkyd wood
180 x 145 cm



Rob Bouwman
Studio view - Untitled (p0112021)

2021

oil/alkyd wood 

180 x 145 cm    




Rob Bouwman (NL)

Studio view

www.robbouwman.com

rk





Saturday, 17 July 2021

Jacomijn den Engelsen / Erik Andriesse


Erik Andriesse 
Sunflowers 
1987
acrylic on linen 
200 x 280 cm 

 

When I first saw Erik Andriesse's (1957-1983) work in the early 1980s, I was struck by the enormous vitality that emanates from his drawings and paintings of flowers. The vigor of the plants is splashing out and shimmering in the background. This intensity is still inspiring me. The power of his work convinced me that realism could also be 'cool' and working from close observation a valid starting point for great art. I really like the combination of the graphic with the painterly that Andriesse has often worked with. He made some great woodcuts. The freedom with which Erik Andriesse has used his visual means is something I still strive for. 

Jacomijn den Engelsen, 2021



Jacomijn den Engelsen 
Sunflowers 2 
2005 
woodcut 
120 x 80 cm 



Jacomijn den Engelsen (NL)
Field
2008 
woodcut
100 x 160 cm 
www.jacomijndenengelsen.nl
rk



Saturday, 12 June 2021

Stijn Kriele / Richard Diebenkorn



Richard Diebenkorn

Ocean Park #116

1979

oil and charcoal on canvas 

208 x 182 cm





Richard Diebenkorn

Ocean Park #27

1970

oil and charcoal on canvas

254 x 202 cm





Richard Diebenkorn

Window

1967

oil and graphite on canvas

234 × 203 cm

 

 

 

As an art-student, I accidentally got introduced to the work of Richard Diebenkorn. For no other reason then the colors of the book’s cover, I picked it up.

I was struck by the work of Diebenkorn immediately. Composition, the use of colors, brushstrokes, layering, clarity and how they all combined have such a strong reference to landscape without depicting it. Diebenkorn himself said about his work; "my paintings are abstractions that do not reject the world, but contain it, in a concentrated form." To this day I study his work and it continues to fascinate me how the work is both crystal clear and elusive at the same time.

 

Stijn Kriele, 2021





Stijn Kriele 

Zonder titel

2017

monotype, collage, pasted on paper

100 x 140 cm


Stijn Kriele 

Zonder titel

2021

monotype, collage, pasted on dibond

24 x 23 cm


Stijn Kriele (NL)

Zonder titel

2021

acrylic, casein on linen

55 x 70 cm

www.stijnkriele.nl

rk




Saturday, 29 May 2021

Jeffrey Cortland Jones / Ron Buffington



Ron Buffington

untitled

gouache on paper

40,6 x 30,5 cm (16” x 12”)




Ron Buffington

untitled

gouache on paper

40,6 x 30,5 cm (16” x 12”)




Ron Buffington

all: untitled

gouache on paper

40,6 x 30,5 cm (16” x 12”)




Ron Buffington

all: untitled

gouache on paper

40,6 x 30,5 cm (16” x 12”)





When I was in undergraduate school (the University of Tennessee at Chattanooga, mid 1990’s), I had a professor and mentor that changed my life and who made me reconsider the world; Ron Buffington. The moment I saw Ron’s painting, I knew I had stumbled onto something special and also knew that I didn’t understand it. 

 

As a professor, Ron quickly understood that I had a desire and need to push beyond what is comfortable and expected, so that was encouraged and celebrated.  He allowed me to fail, and fail often and never gave up on me.  He asked me to consider edge, surface, and intimacy.  He asked me to consider relationships (or “versus”)of painting; big vs. small, thick vs. thin, matte vs. gloss, painted vs. unpainted, loud vs. silent. I watched how he handled material and subject with sensitivity and grace, and mimicked his rigor and empathy and I realized that those same things he was asking me to consider, he was combating in his own work. Eventually, I understood, and found my own voice and hand.  Everything I do today, is because of the gifts Ron Buffington gave me.  Thank you Ron.

 

Jeffrey Cortland Jones, 2021


Jeffrey Cortland Jones

Landscape Replica (In That Brief Moment Between Thoughts)

enamel on acrylic panel

30,5 x 91,5 cm (12” x 36”)

Jeffrey Cortland Jones

Landscape Replica (The Warmth of Other Suns)

enamel on acrylic panel

30,5 x 91,5 cm (12” x 36”)


Jeffrey Cortland Jones (US)

Landscape Replica (With Uncovered Eyes)

enamel on acrylic panel

30,5 x 91,5 cm (12” x 36”)

www.jeffreycortlandjones.org

rk




Saturday, 15 May 2021

Katrin Bremermann / Constantin Brancusi



Constantin Brancusi

wooden sculpture

1920

 

 

 

I have a lot heroes and inspiration is to be found everywhere. One of them is Constantin Brancusi: "Simplicity Is Complexity Resolved''. It’s about finding the solution that is perfectly natural and true. It appears to be so simple that anybody could do it. This inspiration is an encouragement that keeps me moving forward.

 

Katrin Bremermann, 2021




Katrin Bremermann

No; 2041

2020

40,5 x 29,7 cm

enamel on waxed paper





Katrin Bremermann (DE/FR)

studio shot wax drawings

2019

http://katrinbremermann.com

rk