Thursday, 3 July 2014

Lieven Decabooter / Frans Hals



Frans Hals
Willem Croes
1662–66
oil on panel
47,1 x 34 cm


Undoubtedly not one artist in particular, but many of them, have influenced my work.
People who unveil their ‘thinking processes’ in their work, yet do not reveal everything, or those who wield a ‘filmic view’, adore the ‘surreal’ or unashamedly fly the flag of ‘drama’ are most certainly among my favourites.

Content-wise I like the phantasms of David Lynch, but I am just as fond of the unexpressed in Edward Hopper’s paintings; also the strange, filmic point of view of Eric Fischl appeals to me, as do the erotic mind twists in Félicien Rops’ prints. I enjoy the black, surreal humour of the Monty Python gang and the way they can put everything into perspective, but I am equally impressed by the threat of things to come in Alfred Hitchcock’s films...

As far as form is concerned, I love the quick, poignant touch in works by Frans Hals or Willem de Kooning, and Rembrandt van Rijn’s figures, bathing in light, or the fanatically reasoned compositions by Peter Paul Rubens. I admire the intimate force that emanates from Mark Rothko’s paintings, but I am just as easily touched by the dramatism-run-wild of Pina Bausch’s theatrical dance creations...
Lieven Decabooter 2014





Lieven Decabooter (BE)
The beginning of a legend
2014
oil on canvas
150 x 120 cm



Saturday, 21 June 2014

Isabella Werkhoven / James McNeill Whistler




James McNeill Whistler
Nocturne: Grey And Silver
1875-80
oil on linen
31,1 x 51,8 cm
Philadelphia Museum of Art


Hard to make a choice, but eventually I chose the painter whose work I really looked at a lot over the years, especially in the beginning. I admired him for his revolutionary conciseness and the strong atmosphere he managed to put into it.
Isabella Werkhoven 2014



Isabella Werkhoven (NL)
Wait Until Dark
2012
oil on linen
30 x 45 cm



Isabella Werkhoven (NL)
Ray of Light
2013
oil on linen
30 x 40 cm
private collection

Sunday, 1 June 2014

Johan Tahon / Wilhelm Lehmbruck


 
Wilhelm Lehmbruck
The Kneeling One
1911
cast stone
176 x 138 x 70 cm          




Johan Tahon (BE)
Eerste oorzaak
1995
plaster and wood
330 x 115 x 260 cm (destroyed)



Saturday, 24 May 2014

Thomas Muff / Morris Louis



Morris Louis
Seal
1959
acrylic on canvas
256,8 x 357,5 cm



The painters of the so-called 'Abstract Expressionism' exerted a huge influence on me. Their generous gestures and formats, their free use of the color have impressed me a lot. Above all it is the spontaneity and the involvement of coincidence, which to this day are very close to me. One of my favorites is certainly Morris Louis. His work is impressing me still.
Thomas Muff, 2014




Thomas Muff (CH)
Landscape without shepherds (J.B.P.RMX)
2014
oil on wood
120 x 150 cm



Saturday, 17 May 2014

2. Exhibition Nothing But Good Live





Monday May 12, 2014

At the dismantling of 'Nothing But Good Live' in Park-Platform for Visual Arts in Tilburg: we thank the artists in the exhibition very much for their participation and commitment. It's been a joy!
 

Saturday, 10 May 2014

Koen Vermeule / Jacob Lawrence



Jacob Lawrence
The Migration of the Negro, panel 52
1940-1941
tempera on masonite
30,5 x 45,7 cm
The Phillips Collection, Washington DC & Museum of Modern Art, New York



When I first saw the series 'The Migration of the Negro' by Jacob Lawrence, I was deeply touched by this history of African American Americans. Not the strength of realism, but rather that of the imagination makes that these works are forever impressed in my memory.
The series consists of 60 works and seems to symbolize the universal aspiration of people of all races to a better life.
I painted 'Le Depart' in 2011, after I had seen a raft at the edge of the IJsselmeer, probably made for a race or an adventure, ready to leave. Shortly thereafter the thought came over me that many fortune seekers risk their lives in crossing the ocean on such a raft, attempting to escape poverty and misery.
Koen Vermeule, 2014


 


Koen Vermeule (NL)
Le Depart
2011
oil on canvas
96,3 x 250,4 cm
private collection München




Saturday, 3 May 2014

Albert Zwaan / Jean Brusselmans



Jean Brusselmans
Lente

1935
oil on canvas
151 x 151 cm 


Brusselmans wants to show no emotion in his art! He has a rational view of reality: the subject is only a reason for him to work out a new composition of lines, colors and patterns.




Albert Zwaan (NL)
Parking Lot
2013
oil on linen
100 x 120 cm