Saturday, 17 May 2025

Michiel Kluiters / Peter Fischli & David Weiss

 


Peter Fischli (1952) & David Weiss (1946–2012)

Untitled 

1994–2013
From the series Polyurethane Objects

hand-carved and painted polyurethane, 166 parts
dimensions variable




Peter Fischli & David Weiss

Untitled 

1994–2013
From the series Polyurethane Objects

hand-carved and painted polyurethane, 166 parts
dimensions variable




Peter Fischli & David Weiss

Untitled 

1994–2013
From the series Polyurethane Objects

hand-carved and painted polyurethane, 166 parts
dimensions variable





As a 2nd year student at the Rietveld, I came across their work from this series when I was on a gallery tour in NYC on my own. I was really under the assumption that I was walking in somewhere I wasn't supposed to and they were still busy building, but once the penny dropped I fell in love with the work and it definitely influenced me.

 

Michiel Kluiters, 2025

 

 

 

The objects—a seemingly random arrangements of tools, pallets, cleaning supplies, paint cans—are so meticulously crafted and convincingly painted that at first glance, you feel as though you’ve stumbled into an artist’s studio or idle workshop frozen in time. But the moment you start really looking, the spell unravels in the most exhilarating way. You realize these aren’t just everyday objects strewn about; they are painstaking, carved polyurethane replicas of mundane items, careful illusions—stripped of function and brimming with humor, warmth, and existential weight. There’s a tension between their hyperrealist craftsmanship and their absolute uselessness. 





Michiel Kluiters (NL)

Dimensional doorway series

2025

photowork

www.michielkluiters.me



Monday, 28 April 2025

Adam Taylor / Roger Cecil

 


Roger Cecil

Summer Mist

2001

National Museum Wales




Roger Cecil

Winter Night with Angharad

c.2003-2005




Roger Cecil

in the studio

 

 


 

I came across Roger Cecil’s work around ten years ago when a friend suggested I take a look. It immediately felt like finding a long lost friend, his paintings really spoke to me. 

He used a lot of household materials in his work and that’s what first got me into using tar (bitumen) in my work through learning about his process. 

His abstract paintings reflect a profound connection to the Welsh landscape and industrial heritage. What makes Cecil especially compelling is how he maintained a fiercely personal style, working in isolation and resisting the commercial art world to preserve the integrity of his vision. I have a profound respect for him as an artist. His art feels both intimate and universal, drawing you in and inviting quiet reflection.

 

Adam Taylor, 2025






Adam Taylor

The commuter (left)

oil on panel 

170 x 150 cm 


Horse (right)

oil on panel

170 x 150 cm




Adam Taylor

Our Mountain

oil on panel 

150 x 170 cm




Adam Taylor (UK)

In Dreams

2024

oil on panel

130 × 120 cm

www.adamtaylorartist.com




Friday, 7 March 2025

Jeroen Eisinga / James Turrell

 


James Turrell

Installation view 

February 11 - Aug 14, 2020

Pace Gallery, London 

© James Turrell

photo: Damian Griffiths

 

 


I was asked to write a little something about a dead artist who inspired me but wound up writing about a living one, sorry for that, I know I'm subverting the idea of this blog this way, but this is what came up, and also, I'm very happy that this artist is still alive today, so here's my contribution: Not an inspiration but a kindred soul. 

I really get inspired by life itself and so does he. When I was 20 years old, I woke up one morning and, in my hand, I saw a strange, very bright green light. I woke up my girlfriend, who was lying next to me in bed, and I said to her, 'Look at this light, isn't it wonderful? She said 'I see nothing', and turned around and went back to sleep. And I just sat there in complete awe of this beautiful 

light that shone from my hand. 

Until today I cherish this memory as one of those rare insightful moments into the divinity of our souls. When a friend told me about the colors that James Turrell saw while he was sitting in the darkness of his solitary confinement when he was in jail I felt a kindred spirit had been revealed to me.

 

Jeroen Eisinga, 2025






Jeroen Eisinga (NL)

The Gift

1995

Super 8 color film transferred to digital file

silent, 2'50" 

© Jeroen Eisinga

jeroeneisinga.com






Monday, 23 December 2024

Lieve van den Bijgaart / Lieve Prins



Lieve Prins

Dance of the Maenads 

1994

photocopy art

180 x 150 cm




Lieve Prins

cover catalogue touch

2004

 

 

 

Lieve Prins (1948-2019) is not just my name-mate; my father learned the name Lieve through her, so I am secretly named after her a bit :). I recognise a lot of myself in her methods. During my time at the academy, her work was recommended to me at a time when I made over 200 copies in a short time and compiled a book from them. I strive to apply her same approach, energy, experimentation and research within a specific medium, in my own practice, especially in my approach to the bronze casting process. In addition, I am a big fan of her use of animals in 'Dance of the Maenads'.

 

Lieve van den Bijgaart, 2024





Lieve van den Bijgaart (NL)

Foundry wear

2024

casted aluminium

120 x 150 cm

www.lievevandenbijgaart.com/







Thursday, 31 October 2024

Shawn Stipling / Richard Serra

 


Richard Serra 
Walking is Measuring

1999-2000
weathering steel
two slabs: 5,5 x 2,4 m x 12,7 cm & 4,7 x 2,4 m x 12,7 cm
Fundação de Serralves, Porto
photo by José Carlos Melo Dias
© 2019 Richard Serra/Artists Rights Society (ARS), New York





Shawn Stipling (UK)
6am

2022
acrylic on canvas
75 x 70 cm
photo by Pete Hope
© 2022 Shawn Stipling, UK

www.shawnstipling.com



Saturday, 12 October 2024

Jordie Rovers / Edgar Degas

 

Edgar Degas 

Portrait of Henri Michel-Lévy

1878

oil on canvas

40 × 28 cm





Edgar Degas

Laundresses Carrying linen in town

1878

oil on paper

46 x 61 cm




From the model drawing classes at the academy in The Hague, I often work with soft pastel crayons. Through this path, I came across fascinating works by Edgar Degas. The layered use of color, the striking perspectives and the imagination in rough touches of his paintings will always stay with me. 

 

Jordie Rovers, 2024






Jordie Rovers

exhibition in PARK-Platform for Visual Arts, Tilburg NL, 2024





Jordie Rovers

Patacon 

2024

195 x 175 cm

oilsticks on canvas

Jordie Rovers (NL)

Bakje

2024

160 x 130 cm

oil on linen

cargocollective.com/jordierovers




Sunday, 11 August 2024

Jolanda van Gennip / Piet Mondriaan - Hilma af Klint



Jolanda van Gennip

Mondriaan baby 

1993

oil and make-up on canvas 

70 x 63 cm 

 

 

In 1993, I painted ‘Mondriaan baby’. An ode to Piet Mondriaan. The fondness/fascination is deep, for his power, his sensitive brushstroke. I look at his works preferably very close to the skin, they touch me deeply and I want to keep looking and disappear into them.

I saw the works of Hilma af Klint for the first time in 2010 in Museum Arnhem and I didn't know what hit me. I had never seen anything like them before. Large abstract works with a spiritual message. Deeply impressed, the work never left me.

Because of their shared interest in the spiritual, these two artists, contemporaries of each other, were brought together in the exhibition ‘Levensvormen’ at Kunstmuseum Den Haag, from October 2023 to February 2024. 

 - Jolanda van Gennip, 2024

 

 

'The feeling of being part of something much bigger than ourselves, whether we call it the universal, the spiritual, nature, the cosmos, or simply reality. Their oeuvres put us in touch with that unknowable whole of which we are undeniably a part.'

 - from Life Forms (p. 91), Laura Stamps, curator of modern art, Kunstmuseum Den Haag




Piet Mondriaan

Zee (Pier and Ocean)

1914 

charcoal on paper

51 x 63 cm 

collection Kunstmuseum Den Haag

 


All true art comes from universal source. It comes into being intuitively. The very essence of art is the visual expression of -also impossible to describe- life in all its fullness and richness.

 - Piet Mondriaan





Hilma af Klint

The Ten Largest no.4 (Adolescence) 

1907 

tempera on paper on canvas

328 x 240 cm

 


Those who have the gift of deeper vision can see beyond form and concentrate on the wondrous thing hiding behind every form, which is called life.

 - Hilma af Klint





Jolanda van Gennip (NL)

Untitled

2020

oil on canvas

80 x 95 cm

photo Peter Cox

instagram.com/jolandavangennip_painter

 


After 'Mondriaan baby', now a whole oeuvre further, I went the way of the matter, colour and paint, and always looking to transcend that same matter into something I don't yet know, you could call it spiritualisation, the unknown.

 - Jolanda van Gennip, 2024