Saturday, 10 October 2015

Pedro Chorão / Giorgio Morandi



Giorgio Morandi
Still Life
1956
oil on canvas
Yale University Art Gallery



Painting
Sometimes you feel like painting, but you don’t know exactly what. Then, just when you least expect it, the idea comes to you from somewhere. It’s an idea that comes in colours, and so you set about painting.
Almost immediately, problems start arising and you stop. And then another idea occurs to you that seems even more important than the previous one, and so you carry on, with the same passion as always, until one day you walk into your studio and, lo and behold, the painting is already finished. That’s the way it is. So, you take that canvas away and put another one in its place.
And then you start all over again.

Along the last 40 years I mainly appreciated and felt somehow close to half a dozen painters, including Jasper Johns, Morandi and Guston. Certainly these are the painters I would choose to take to a deserted island. I'm showing some of my paintings here which I think may have a relation to Morandi's work.

Pedro Chorão, 2015




Pedro Chorão
Untitled (nr 7)
2015
acrylic on canvas
81 x 100 cm



Pedro Chorão
Untitled (nr 15)
2015
acrylic on canvas
130 x 162 cm



Pedro Chorão (PT)
Untitled (nr 16)
2015
acrylic on canvas
130 x 162 cm


Saturday, 26 September 2015

Wil Jansen / Jan Schoonhoven



Jan Schoonhoven
Zonder Titel
1983
screenprint on paper (edition of 20)
66,5 x 50,5 cm (paper size)



Rhythm and Regularity
Wil Jansen, 2015




Wil Jansen (NL)
Recycled oilpainting
2015
oil
30 x 24 x 8 cm

Saturday, 12 September 2015

Karl Bielik / Kurt Schwitters



Kurt Schwitters
Collage
1920
courtesy Pinacotheca Gallery NY
(from 'The Dada Painters and Poets' - Robert Motherwell, 1951)



Kurt Schwitters
Untitled (Everybody's)
collage
1945


Scratching around as a design student in Stockport in the late 80's making collages, videos and screenprints, a tutor suggested I look at Robert Motherwell's book on Dada and specifically Kurt Schwitters. Dada became my first art love - what they were up to did it for me. Collage, automatic writing and found objects continued to inform my work for many years. My paintings have moved elsewhere since but without Kurt I might not be making anything.

Karl Bielik, 2015



Karl Bielik (UK)
Fracture
2014
oil on panel
36 x 28 cm


Thursday, 27 August 2015

Hans Klein Hofmeijer / Joseph Beuys



'Out of hand lines'
(quote from my workbook-diaries series 'My second memory', HKH)

THOROUGHLY DRAWINGS, Joseph Beuys.

I would like to limit myself to drawing here, in particular to the drawing idea of Joseph Beuys.

His searching and exploring hand reveals content while drawing. He tries to touch the true nature of things by doing, far from having a pre-defined plan of intent. This is an important source of inspiration.

With a continued hesitating hand, where ambiguity is predominant, he finds his way in the melting pot of perceptions. An homage to the will to understand and to the open mind.

The actual drawn trace remaining visible on the paper, brings us a very rich experience of what is interpreted. Thoroughly feeling, thoroughly thinking, thoroughly seeing, thoroughly knowing and thoroughly drawing ensure that the sheets of Joseph Beuys are attempts to bring, in the highest possible intensity, the comprehensive nature of the subject in the spotlight. This is accompanied by a lived through, open approach to the drawn, also assuming that reality is always in a state of motion. These dynamics therefore deliver a very extensive viewing experience.

Hans Klein Hofmeijer, 2015




Hans Klein Hofmeijer (NL)
Verzameling van drie
2004
pencil on paper
44 x 58 cm
Collection artist




Joseph Beuys

Left:  Selbst im Gestein
1955
pencil on paper
25,2 x 38,3 cm
Collection Marx, Berlin

Right: Plastiken mit Akustik
1957
pencil on paper
14,5 x 10,4 cm




Hans Klein Hofmeijer (NL)
Studie voor een landschapsachtige verdieping
2010
pencil and charcoal on paper
29 x 20 cm
Collection Museum Van Bommel Van Dam, NL




Joseph Beuys

Left: Untitled
1954
pencil and watercolor on paper
14 x 21 cm
Collection Josef W. Fröhlich

Right: Wärmehülle
1974
pencil on paper
21,5 x 27,5 cm
Private collection