Saturday, 20 September 2014

Jai Llewellyn / William Turner




William Turner
Sky study
1845
watercolour on paper
29 x 43,7 cm


The first artwork I really 'experienced', face to face, was a Turner in The National Gallery, London. I was immediately struck by the paint. The expression and emotional content seemed to exceed any narrative and it was then I realised the potential power of painting. Many years later I found an affinity with Turner's watercolours and I often have to remind myself of their sensitivity and simplicity. 
Jai Llewellyn, 2014




Jai Llewellyn (UK)
Mackerel Skies
2014
oil on canvas
50 x 40 cm


Saturday, 13 September 2014

Harry Haarsma / Carlo Carrà



Carlo Carrà
Il pino sul mare (A Pine by the Sea)
1921
oil on canvas




Moon and panorama of the insects, 'The Poet Prays to the Virgin for Help.'

I pray to the Divine Mother of God,
Heavenly Queen of all living things,
grant me the pure light of the little animals
who have a single letter in their vocabulary.
Animals without souls. Simple shapes.
Far from the despicable knowledge of the cat.
Far from the fictitious profundity of the owl.
Far from the sculptural wisdom of the horse.
Creatures love without eyes,
with a single sense of rippling infinity,
and who gather themselves together into great heaps
to be eaten up by the birds.
Grant me the single dimension
that little flat animals have
to tell of things covered with earth
beneath the shoe’s hard innocence.
Nobody weeps comprehending
the millions of tiny deaths at the market,
that Chinese multitude of beheaded onions,
that great yellow sun of old flattened fish.

You, Mother, ever terrible, whale of all the skies;
you, Mother, ever the joker, neighbor of the borrowed parsley:
you know I comprehend the world’s tiniest flesh
that I may give it voice.

Federico Garcia Lorca





Harry Haarsma (NL)
2014
newspaper and oil on linen
42 x 58 cm
 


Harry Haarsma (NL)
2013
newspaper and oil on linen
42 x 58 cm



Harry Haarsma (NL)
2013
newspaper and oil on linen




Saturday, 6 September 2014

Jorge Vicen / Nicolas De Staël




Nicolas De Staël
Les Bouteilles Rouges
1955
oil on canvas
73 x 100 cm



Nicolas De Staël
Figures au Bord de la Mer
1952
oil on canvas
161,5 × 128,5 cm
Kunstsammlung Nordrhein-Westfalen, Düsseldorf


 
Jorge Vicen (ES)
Muerto de Tres Cabezas
2013
oil on wood
21 X 29 cm
private collection




Jorge Vicen (ES)
Eco
2014
oil on wood
21 X 29 cm



Saturday, 23 August 2014

Lutz Weidler / Donald Evans



Donald Evans
1974
watercolor on paper


Donald Evans in Amsterdam



In the year 2005 - when I was already getting a little bit tired of making big installations and sculptures (transporting, storing and sometimes deconstructing them...) - a friend gave me this book: 'The world of Donald Evans' by Willy Eisenhart.
I had never heard of the artist Donald Evans before. He was an US-American, born in 1945 who came from New York to the Netherlands in the early 70's and died at the age of thirty-one in a fire in Amsterdam. 

His artwork was inventing and painting nearly 4000 very small watercolour-paintings that look like stamps.
I was fascinated by the contrast of his very small equipment and the huge world he has created.
In 2007 I decided to start a series of small sculptures on ground plates 35 cm by 35 cm, a kind of 3-dimensional 'stamps', which led to a new found freedom and I am still working on it, counting about onehundredandfifty now...
Lutz Weidler, 2014




Lutz Weidler
Weltmodelle
2010-2013
different materials on plywood
35 x 35 cm (each)




Lutz Weidler (DE)
Weltmodelle No. 131, 142, 74 and 148
2010-2013
different materials on plywood
35 x 35 cm (4x)




Saturday, 9 August 2014

Peter Geerts / Robert Motherwell




Robert Motherwell
Blueness of Blue (from the 'Open' series)
1974
acrylic, charcoal on canvas
182,9 x 214,3 cm



What always attracted me in the work of Motherwell was the sensitivity in his pictorial gesture and his monumental compositions, his seeking for the essential. His series 'Open' was an inspiration for the 'Monologue Interieur'-series I started in 2010.
Peter Geerts, 2014




 
Peter Geerts (NL)
Monologue Interieur V
2010
147 x 167 cm
oil on canvas



Saturday, 19 July 2014

Sven Kroner / Dieter Krieg



Dieter Krieg
Kamin
1987
oil and acrylic on canvas
210 x 150 cm



Sven Kroner (DE)
Fenster
2013
acrylic on canvas        
150 x 160 cm




Thursday, 3 July 2014

Lieven Decabooter / Frans Hals



Frans Hals
Willem Croes
1662–66
oil on panel
47,1 x 34 cm


Undoubtedly not one artist in particular, but many of them, have influenced my work.
People who unveil their ‘thinking processes’ in their work, yet do not reveal everything, or those who wield a ‘filmic view’, adore the ‘surreal’ or unashamedly fly the flag of ‘drama’ are most certainly among my favourites.

Content-wise I like the phantasms of David Lynch, but I am just as fond of the unexpressed in Edward Hopper’s paintings; also the strange, filmic point of view of Eric Fischl appeals to me, as do the erotic mind twists in Félicien Rops’ prints. I enjoy the black, surreal humour of the Monty Python gang and the way they can put everything into perspective, but I am equally impressed by the threat of things to come in Alfred Hitchcock’s films...

As far as form is concerned, I love the quick, poignant touch in works by Frans Hals or Willem de Kooning, and Rembrandt van Rijn’s figures, bathing in light, or the fanatically reasoned compositions by Peter Paul Rubens. I admire the intimate force that emanates from Mark Rothko’s paintings, but I am just as easily touched by the dramatism-run-wild of Pina Bausch’s theatrical dance creations...
Lieven Decabooter 2014





Lieven Decabooter (BE)
The beginning of a legend
2014
oil on canvas
150 x 120 cm