Saturday, 21 March 2020

Horst Keining / Andy Warhol



Andy Warhol
Camouflage Beuys
1986
283 x 210 cm
acrylic, silkscreen on canvas
(from d. Katalog Paris)



Warhol 
In his time, Gustave Courbet battled against received normative aesthetics and wanted to paint anything and everything — more than just ’things of beauty’. Warhol, too, would explore anything and everything for its value as pictorial material.  
His exhibition at the Moderna Museet in Stockholm in 1968 bore the title, ‘ALL IS PRETTY’. For me, against the backdrop of art informel, Warhol was a revelation.

Horst Keining, 2020 




Horst Keining (DE)
Gottfried Wiegand
2019
33 x 24 cm
synthetic resin on canvas

Saturday, 7 March 2020

Jos van Merendonk / Martin Barré



Martin Barré
67 - AZ – 2
1967
spray/canvas
113 x 105 cm



When I saw Martin Barré’s (Nantes 1924 - Paris 1993) work for the first time in Paris in 1982 I was taken aback by the simple and brutal quality of the spray works. The vitality of the material as tool and idea was not just an eyeopener but has proven to be an ongoing influence. 

Jos van Merendonk, 2020




Jos van Merendonk (NL)
Detail Wall Installation 
2016
Parts Project, The Hague

Saturday, 22 February 2020

Till Gerhard / Edvard Munch



Edvard Munch
Moonlight
1893
oil on canvas
140,5 x 137 cm



Till Gerhard (DE)
Rungholt
2019
oil on cotton
160 x 140 cm



Sunday, 9 February 2020

Ton Kraayeveld / Richard Hamilton



Richard Hamilton
Lobby
1985-87
oil on canvas
175 x 250 cm



'Lobby' is a painting by Richard Hamilton that shows the foyer of a hotel, with floors covered with greenish carpet, a large vase of flowers in the forefront, mirroring walls and a free-standing mirror-faced rectangular column in the middle of the room; stairs leading upward.  The source for the painting was a postcard of a Hotel Europa in Berlin that the painter received from a friend round 1974. The painting is fascinating because it is very difficult to actually read the space. The space is empty, however there is a person visible in the back of the scene, but only as a suggested reflection of another space. The pictorial sense of the work being very retinal and illusionary.

In 1993 to my surprise at visiting the Venice Biennal exhibition of Hamilton in the British pavillion the painting appeared to be a central object in an installation-like setting similar to the imaginary space of the painting, thus in a hallucinatory way connecting painterly space to real presence.



Ton Kraayeveld
Lobby
2014
oil on canvas
70 x 50 cm



Laid-back designed interiors often appeared in my work for a long time, often referring to historic spaces in Berlin or former Eastern Germany. In 2014 working as artist-in-residence in Pilotenküche in Leipzig I made my own version of 'Lobby', based on the entrance room of a Berlin based Hotel Europa of which I found photographs on the internet.

During a visit to China in 2018 I have spent one night at a hotel in a village in the region of Fujian. The hotel entry appeared to have remarkable similarities to the atmosphere and space in the works mentioned above here.
'Chinese Lobby' is a recent work shown at my exhibition ‘Labyrinth’ at Gallery Helder (The Hague, NL, Nov. 2019), based on photographs taken of this hotel lobby in Fujian.

Ton Kraayeveld, 2020



Ton Kraayeveld (NL)
Chinese Lobby
2019
oil on canvas
150 x 200 cm



Saturday, 25 January 2020

Jana van Meerveld / Meret Oppenheim



Meret Oppenheim
Large cloudy sky over the continents
1964
oil on canvas
110 x 210 cm




Meret Oppenheim




The extreme diversity in topics and styles of Meret Oppenheim her works were an eyeopener to me when I started at art school in the eighties. Unfortunately she was labeled as a surrealist and dadaïst. This bothered her tremendously in her progress as artist, but she kept making works up to her death not fitting into art history boxes and theories. Her works ooze a refined intelligence and courage. It's still fresh. She paved a firm path in the art world for a feminine approach.

Jana van Meerveld, 2019





Jana van Meerveld (NL)
Automation Bias Joust
2019
oil on linen
75 x 100 cm